Jim Funnell’s Word Out “Spirit of the Snail” Produced by Jim Funnell Released on Tuesday, 22 September 2015 CD release concert at the Sunside in Paris at 7.30pm on Tuesday, 22 September 2015.
Jim Funnell: piano and compositions Oliver Degabriele: acoustic bass Thibault Perriard: drums Isabelle Oliver: harp
“Dear cosmopolitan and xenophile readers,
As you know, the EU motto is “United in diversity.” As far as politics are concerned, it remains to be proved. On the subject of music however, British pianist Jim Funnell, Maltese bassist Oliver Degabriele, and French drummer Thibault Perriard illustrate it perfectly every time they play together. I have already praised their music in concert and in the studio. On this album, the triad is augmented with the presence of harpist Isabelle Olivier. She is nor a feminine alibi for a masculine trio, neither a classical one for a jazz trio. Her harp sounds like the kora of a Mandinka master.”
“[ Jim Funnell’s ] music is the singular result of a thorough reflection on rhythms, sounds, and colors.”
“Whether you want to stimulate your ears, your brain, or get your limbs in motion, enter the Spirit of the Snail with Jim Funnell and his band!”
Jim Funnell: piano and compositions Oliver Degabriele: acoustic bass Thibault Perriard: drums
“Dear attentive and focused readers,
You may have noticed that I already praised Word Out in concert, when the trio gave a sneak preview of their freshly recorded upcoming album, Spirit of the Snail; I certainly will tell you all about its release in due time.
Meanwhile, since it’s never too late to do well, let me trumpet the delights and merits of their eponymous debut album Word Out, released in 2009.”
“Word Out does not claim to revolutionize the piano trio format. These young musicians are not conceited. They are simply fresh, alive, curious, open-minded, joyful, and listening to their music does heaps of good.”
“If I had to choose an excerpt from this album, it would be their version of David Bowie’s “Space Oddity” (track no. 7). [ … ] Here, they take a classic, preserving its raw pop energy and conserving its British majesty while instilling a sense of swing typical of jazz music. A complete success from the first to last note.”