It’s Independence Day in America, and I thought it opportune to post a special workout for pianists focusing on… hand independence, with a global twist!
The song we’ll use as the basis for this exercise is an Ainu canon (the Ainu are a people from Northern Japan and the Russian Far East), which involves call and response between a lead singer and a group of singers.
Although it may seem simple on the surface level, we’ll see that the mental and muscular processes involved in order to produce an acceptable rendition of it on the piano are in fact rather intricate…
To achieve this, I suggest we break down the practice into the five following steps:
- learning the melody in the right hand;
- learning the (same) melody in the left hand (the song being a canon, the hands are indeed essentially playing the same melody, two beats apart);
- adding an accompanying foot pattern on the upbeats to the right and left hand melodies (optional);
- putting it all together with the right hand playing the role of the lead singer (call) and the left hand responding [letter A in the sheet music below];
- doing the same exercise again, but this time, reversing the hands: the left hand is now playing the lead part (call) and the right the chorus’ part (response) [letter B].
As you will see when you try this at home, although the result sounds simple and the melody is made up of only 3 notes ï¹£ a tritonic scale roughly comprised of E, F#, and B (the tuning is not exact) ï¹£ it does require some patient practice to really internalize this canon and play it accurately on the piano. For instance, particular attention should be given to the proper feel and articulation (when playing the legato and staccato notes in particular).
Have fun working on your hand independence with this song! It’s a great warm-up before tackling a Bach Invention or Sinfonia for example…
Sheet music (PDF) available here:
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